Download e-book for iPad: Authority and Authorship in V. S. Naipaul by I. Coovadia

By I. Coovadia

This publication lines the ways that difficulties of innovative authority and authorship constitution the fiction and non-fiction of V.S. Naipaul and resonate in postcolonial literature. Imraan Coovadia argues that the post-colonial societies Naipaul experiences in novels such asA Bend within the RiverandGuerillasare outlined by way of the fragility in their authority. Coovadia demonstrates via shut analyzing, how Naipaul, born in Trinidad to an Indian relatives and resident of the United Kingdom,asserts hisimaginative authority over many alternative occasions around the globe via a posh literary rhetoric.

Show description

Read or Download Authority and Authorship in V. S. Naipaul PDF

Best caribbean & latin american books

Read e-book online Imperial Eyes: Travel Writing and Transculturation PDF

Up-to-date and multiplied all through with new illustrations and new fabric, this is often the lengthy- awaited moment variation of a hugely acclaimed and interdisciplinary ebook which speedy validated itself as a seminal textual content in its box.

New PDF release: The Hovering Giant: U.S. Responses to Revolutionary Change

Within the first variation of The soaring sizeable, Cole Blasier analyzed U. S. reaction to revolutions in Latin the USA from Madero in Mexico to Allende in Chile.  He defined why U. S. leaders backed paramilitary devices to overthrow progressive governments in Guatemala and Cuba and compromised their very own alterations with progressive governments in Mexico and Bolivia.

Reclaiming the Nation: The Return of the National Question - download pdf or read online

This publication compares the trajectories of states and societies in Africa, Asia and Latin the US below neoliberalism, a time marked via serial fiscal crises, escalating social conflicts, the re-militarisation of North-South family members and the radicalization of social and nationalist forces. Sam Moyo and Paris Yeros assemble researchers and activists from the 3 continents to evaluate the country of nationwide sovereignty and the demanding situations confronted through renowned activities this day.

Get Mínima Cuba: Heretical Poetics and Power in Post-Soviet Cuba PDF

Minima Cuba analyzes the reconfiguration of aesthetics and tool throughout the Cuban postrevolutionary transition (1989 to 2005, the realization of the designated interval ). It explores the marginal cultural creation at the island through the 1st iteration of intellectuals born in the course of the Revolution. the writer reports the paintings of postrevolutionary poets and essayists Antonio Jose Ponte, Rolando Sanchez Mejias, and Ivan de l. a. Nuez, between others.

Additional resources for Authority and Authorship in V. S. Naipaul

Sample text

In the case of the Virgilian quotation, however, the irony is Naipaul’s alone and represents, as an insider’s joke, a cache of hidden authority. The novelist knows something that he chooses not to reveal to his readership. * * * In A Bend in the River, Naipaul ascribes elements of his own situation—as a postcolonial writer almost without a society and a literature to call his own—to three of the novel’s personages. 11 Although Salim’s community is Muslim rather than Hindu, and he is born on the Indian Ocean rim of Africa rather than in Trinidad, Naipaul goes out of his way to minimize the differences between his own background and that of Salim.

There is “no one like the slave for spotting the slave,” he tells us, “or knowing how to deal with the slave” (104). There is a rough and ready wisdom at the bottom of the pile that liberal outsiders ignore. Moreover, this lower world is dominated by fear and strength (“spotting the slave‚…knowing how to deal with the slave”). It is a world in which every black stranger is a potential threat. ” Salim’s version of slavery posits captives who the further away they got from the centre and their tribal area‚…the more nervous they became of the strange Africans they saw about them, until at the end, on the coast, they were no trouble at all, and were positively anxious to step into the boats and be taken to safe homes across the sea.

The “display,” of course, is just as important as the very sentiments of “power and hardness” because “display” coordinates and deepens group feeling among the more powerful faction. I argue that it is precisely such a display of “power,” and even more of “hardness” that characterizes the fiction Naipaul published in the 1970s about the new independent states of sub-Saharan Africa, including In a Free State (1971), Guerrillas (1975), and A Bend in the River (1979). For it is African material, far more than other disfavored objects of Naipaul’s attention like Islam and India, which attracts his coldest comedy.

Download PDF sample

Rated 4.19 of 5 – based on 50 votes