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By Jo McDonald, Peter Veth

This specific consultant presents a creative and archaeological trip deep into human heritage, exploring the petroglyphic and pictographic different types of rock paintings produced via the earliest people to modern peoples round the world.
-Summarizes the variety of perspectives on old rock artwork from major foreign scholars
-Includes new discoveries and study, illustrated with over one hundred sixty photographs (including 30 colour plates) from significant rock paintings websites round the world
-Examines key paintings of famous experts (e.g. Lewis-Williams, Conkey, Whitley and Clottes), and descriptions new instructions for rock paintings research
-Is widely foreign in scope, determining rock paintings from North and South the US, Australia, the Pacific, Africa, India, Siberia and Europe
-Represents new ways within the archaeological learn of rock artwork, exploring matters that come with gender, shamanism, panorama, id, indigeneity, historical past and tourism, in addition to technological and methodological advances in rock paintings analyses

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No single meaning can be accorded to the myriad Pleistocene rock art images, but a diversity of meanings can be inferred depending on context (Conkey 1987:414–415). Formal methods, style, aesthetics, and context Formal methods are given new life through pattern recognition and the associative strengths of multivariate statistical analyses. Alice Tratebas (Chapter 9) examines the possibility of early connections between rock art in North America and Siberia. The identification and quantification of an early rock art tradition during the “colonizing” phase of the Americas is exciting and significant.

It has been designed to slot into a 13-week semester cycle, with 11 thematic sections, comprising a total of 37 chapters. This should allow for an orientation and introductory session on research issues and new directions, as outlined here and so eloquently and ably by Professor Meg Conkey in the Foreword, followed by 11 weeks based on each theme, with two to four chapters per week. The final week is thus allocated to a summation of the themes covered and exams or final essays. We have aimed to direct the reader through the full gamut of research possibilities in rock art from overtly theoretical stances to those that are more regional, methodological, technical, or applied in focus.

Part of a big panel where many traces are visible. First, cave bears scratched the wall (lower half). Then black drawings were made (from left to right: a vulva, a lion, two rhinos, a bear). The wall was touched repeatedly in between the drawings and many finger wipes have been recorded (tracing by M. Azéma and J. Clottes). Plate 26 Varnish microlamination thin-sections, showing alternating dark and light bands, corresponding to major paleoclimatic changes. Top: Coso-7, with confirmed VML minimum-limiting age of 5,900 yrs cal BP; bottom: Coso-9, with confirmed VML minimumlimiting age of 11,100 yrs cal BP (courtesy of Tanzhuo Liu).

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